There are some songs in your life that can be described in a way of
no more, no less but defining what you love in experiencing the music.
What really makes them stand out from all the others is significant:
you'd probably listened to them for umpteenth thousands of times, one
after another and YET when the next time comes - it's the same as the
previous one: IT EXCITES YOU TO THE LEVEL OF CHILLS AND SHIVERS, PULLS
THE TEARS OUT OF YOUR EYES. No matter if it's take 1 or take 1 000 000 +. Always the same. Heaven is within the reach of your
hand. You don't need a casino bust or drug to revv you up. These songs
get you safely high into outer space and then land you back to the real
world. This is one of those, for me.
The mastery of Colin Town's orchestral introduction is already a sonic
orgy and an assault for the senses with the combinbation of cathedral
organ and drilling yet gentle synth. And, like in a Hitchcock's classic
horror, still THE HELL BREAKS LOOSE @2:14. No hostages are being taken
throughout. I sometimes regret that Bernie Torme did not step up his
game for the solo a bit more but still the main reward is in the end.
@5:48 the final run with the multilayering and blooming keyboard layers
over the thumping band is just like nuclear bomb implosion thwarted into
6 minutes of sounds. This is heaven and hell being synced into
homogenous ONE.
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